“The only good bug is a dead bug.” – Starship Troopers

Grok™ is getting better – this was a first attempt, and normally it requires a lot of wrestling.
OT: probably a Saturday song will drop tomorrow morning. I’ve got three more in can and think that two of the three are the best so far. I may even drop one on Sunday. We’ll see. Going forward I’m going to target dropping songs on Sunday, Tuesday, Thursday and Saturday. As I’ve just started, there seem to be an endless spring of ideas that I’ve been hoarding up my whole life, and I’m enjoying making them come to life. Oddly, I’m my new favorite artist. Working on distribution, still on a steep learning curve.
Once again, were’ back. The high of the 1980s is far in the rearview mirror. Now we’re on the long slope down. Still, there were some fun movies. These aren’t necessarily the best movies of 1997, instead they’re the films I think really exemplify the year. As always, they’re in no particular order.

Waiting for Guffman – This is an ensemble comedy where I think the plan was that you have a basic plot and you let the talented, goofy people making the movie fill in the details. Silly? Yes. Life changing? No. One thing from this particular movie that I find very sad is that the opening scene shows the local cops planning on having sniper overwatch for a local harvest festival in a small Missouri town. It was funny in 1997 because it was absurd. In 2025 it’s not. I guess that’s just the price we pay for ethic food. I wonder why we didn’t import only the recipes?

Austin Powers: International Man of Mystery – Mike Myers creates a parody of a James Bond® film. The particular genius is that the plot is just strong enough to hold everything together and not get in the way of the comedy. The box office was quadruple the cost, so that worked out okay for Mike. Bonus points for lovingly parodying the details of the Bond™ films, such as naming a female character Allota Fagina. Sadly, this caused the James Bond© producers to make the Bond® films less fun by hiring Daniel Craig.

Breakdown – There is nothing special about this movie other than it is a very competent thriller that couldn’t be made in the time of cell phones. Kurt Russell is good, and J.T. Walsh is suitably evil. Cinematic popcorn.

Men in Black – The X-Files™ was pretty big during this time period, so Hollywood decided to make a big budget science fiction comedy based on a fringe UFO topic. I was this many years old when I found out it was also based on a comic book. It made nearly $600 million 1997 bucks, which would have topped the box office for the year except for that pesky Titanic.

Contact – This was a decent movie, though not one where I look forward to seeing it again. It was decent, not great. Plot summary: aliens send us Hitler pics and instructions on how to build a wormhole.

Air Force One – More cinematic popcorn, where president Han Solo tries to kill Count Dracula on an airplane. Silly action fun.

Event Horizon – My favorite movie on this list. Huge critical and commercial failure and yet they nearly made a TV series based on it before COVID came along. Evil Scientist Sam Neill? Yes, please. If you like cosmic horror and haven’t seen it, you’ve been missing out. Warning: it’s not for the faint-hearted.

Kull the Conqueror – Robert E. Howard was the creator of Conan the Barbarian, and also Kull. This is based around his work, and was originally intended to be the third part of the Conan movie trilogy, but that fell apart. I’m glad. This movie is comfy and is its own thing. I loved it, and am perhaps the only one, since it only made $6 million on a $35 million budget. I guess I would suck as a test audience member.

L.A. Confidential – It came out in 1997, but I hadn’t seen it until recently. It’s a decent film noir, and Guy Pearce does a great job as a smart, young cop eager to get ahead. Huge hit, but I avoided it because I loathe Kim Basinger, who strikes me as a person with the intelligence of a basset hound.

Wishmaster – So an evil genie lives in a ruby. In one scene, the camera penetrates they gem, showing that it contains a vast cavern throne room inside the gem. In the cavern, it moves towards a dark, demonic figure sitting on the throne. During the scene, when the camera finally centered on the genie’s face, I said, “Just sitting ‘round, being evil,” and The Mrs. laughed uncontrollably. That’s now a family catchphrase. Other than that, I don’t remember anything about this movie.

Boogie Nights – This is a very good movie, showing how the depravity, drugs, and money of the porn world lead only to pain and dejection, but I’m sure OnlyFans® will turn out differently. Plus? Stark nekkid Heather Graham. Okay, I have contradictory motivations here. Also, one of Burt Reynolds’ best serious roles.

RocketMan – Cost $16 million to make, made $15.4 million. It was hilarious. The underappreciated Harland Williams plays an accidental astronaut whose space hijinks include space farts. It’s stupid-funny, so if you like adolescent humor, this is your show.

Bean – Rowan Atkinson is an engineer with a master’s degree and also a master of comedy. Who says engineers don’t have a sense of humor? Oh, and this film made $250,000,000.

The Devil’s Advocate – Soooooo much overacting in this horror movie which could have also been titled “Al Pacino’s Vocal Coach Is Seventeen Packs of Cigarettes a Day.” No real desire to watch this one again – it’s not a great horror movie, but everyone liked it, because the boxoffice of $153,000,000 was nearly triple the cost.

Gattaca – This movie is about the dangers of genetic engineering on the future, where it creates a society where beautiful, healthy people are everywhere and bad genes are bred out. The horror!

Starship Troopers – Whenever this movie comes up in the comment section everyone argues about it. Every time. Was director Paul Verhoeven trying to make Robert Heinlein look like a fascist and make the humans as the bad guys? Yes. Did almost everyone miss that? Also yes. To try to make fun of Heinlein, he had to actually quote Heinlein, which backfired in a big way. Heinlein’s ideas in the book Starship Troopers are pretty powerful, but also simple. They glimmered through Verhoeven’s attempt to make a woke film, which counts for most of the good parts of the film. But the other fascist elements he added for the parody boomeranged on him to such an extent that all of the GloboLeft critics he wanted to please by making fun of the TradRight thought Verhoeven was a fascist. I guess he sure showed the TradRight by being pro-human rather than loving bugs. My verdict? The only good things (which are very good) are the parts from the book. The rest is mediocre at best.
Once again, I was surprised on how many movies I liked from this year. Almost every movie is beautiful, but the attempts are being made to push the GloboLeft agenda even further, which is (along with foreign markets) what eventually choked Hollywood. I’m debating if we’ll do 1998, and if so, that’ll be in February.
What did I miss?

























































































































