“Freedom costs a buck-oh-five.” – Team America: World Police
I’ve lost to a computer at chess, but never at kickboxing.
I write about movies (and books) sometimes because they are important – very important. They are a part of the myths and backstory that defines a people and a country. Part of this entertainment is (often) a reflection of who we think we are, or who we aspire to be – those are the characters and stories that endure and grow over time.
Comedies certainly have their place, as well. Comedies can be rooted to universal truths that are (more or less) unchanging with time, think greed, yappy women, and farting. Yes. The oldest recorded joke in history that we have yet discovered is a (not very good) fart joke.
Why can’t you make fun of Steve Jobs dying? It’s not PC.
Part of comedy, especially movie comedy, is the unexpected. For that to happen, most of the time someone is the object of the joke – the person who is being made fun of. In comedy in the 1970s, that person was almost always a white male, and almost always was the father and was almost always on the Right.
Why?
Feminism. Comedy of the 1970s and onward was almost always written from the Leftist perspective. Think Archie Bunker, who ended up being popular in spite of them trying to make him a buffoon. Who had the first flush of the terlit on television? Archie. To make fun of white men who were on the Right.
Another tip: don’t use the toilet brush as a microphone when you sing in the shower.
Heck, when I was in junior high and wondering why the only funny things were Leftist (I was on the Right, even then). Then I read P.J. O’Rourke, and understood that it was more than possible, it was far, far funnier than Leftist humor ever imagined it could be.
The Right is funnier because the Right has Truth on its side.
For a long time, movies have been propaganda of one type or another. Top Gun? There’s a reason that the Navy spent millions to help make the movie – they approved the script.
There have been wild cards – people who make fun of everyone and everything – think Airplane. One that really pushed the boundaries was Team America: World Police. South Park used to be funny, back when the stories were about the kids. When the stories started to be about the adults? Less funny.
But Team America: World Police was something else. It made fun of jingoistic movies while at the same time gutting hard-Left, virtue signaling idiot actors like Sean Penn, Janeane Garofalo, Alec Baldwin, Michael Moore, Danny Glover, and Tim Robbins. They were all part of the Film Actors Guild, or F.A.G.
Yes. They went there. They also made fun of AIDS and homosexuals. And Moslems. And movies like Top Gun. The rumors are that the studio approved it because it was so politically incorrect, and might be cheap because it was made with puppets instead of actors.
I’m glad COVID didn’t come from a Chinese bear. Then we’d have had a pandademic.
Needless to say, making a movie that makes fun of any protected group is no longer allowed. Why are comedies dead? Because it gets really old, really fast, when the only person you can make fun of is the same person who buys all the movie tickets: heterosexual white Christian men who have XY chromosomes. You know, “literally Hitler”.
Comedy is now unfunny, mostly. Please feel free to leave exceptions in the comments. And movies as a whole are borderline unwatchable. Part of the collapse of the box office (and small theaters) was COVID. The other part is that movies suck.
The reason that movies suck is that they’re now just blatant propaganda, start to finish. The latest Marvel® movie, The Marvels™ is a commercial failure, and a box office flop. The studio is blaming the usual suspects: the actor’s strike, superhero fatigue, white supremacy, anti-feminism.
That’s easy.
Harder to face is that their stupid movie sucks.
This was even in his speeches . . . remember him saying, “Let me be clear”?
Why does it suck? It’s about women that don’t need no man. Oh, and couples who have kids don’t want to spend money to have their kids watch Gay Buzz Lightyear™ and ask questions about why Buzz© has two mommies. That’s it.
Who is the primary consumer of superhero movies? White men. Who is the primary consumer of movies for children? People capable of making children, which, for every year in the history of mankind before 2020, were known as “men” and “women”.
Yes, white men like to look at attractive women in skintight costumes, but only the most Leftist is willing to sit and watch a movie that makes fun of them and marginalizes them.
Why does Marvel© (and Disney™) lose money? Because they forgot who buys the tickets.
Men.
I’ve gotten to the point that, unless I’ve heard about a movie, if it was made in the last four years, it’s a hard pass, even if it looks interesting. The movies started going south in, say, 2018. My take is that was a reaction to Trump. It so triggered nearly everyone who writes or acts in a movie that all they wanted to do was attack a relatively Centrist guy who just happened to be President.
What do your get if you take an entire human digestive tract and lay it out on a football field? Arrested.
The reaction led to . . . crap. Every Leftist simply had to get their message out that trans was the new normal and white men were awful and stupid and that NASA stuff on the Moon was a fluke. Oh, they tried to take credit for that, too. Because white guys, you know, can’t do math.
I also noticed it with books. I was a lifelong reader of science fiction – I loved the ideas. Then, around 2010, I started to notice that the books in Barnes and Noble® mainly . . . sucked. I thought it was me. I thought I was old and jaded. But, nope, I read some of the old stuff and it was still great.
Science fiction was destroyed by The Narrative, too. The people who picked the books that made it to the shelves only picked Leftist crap filled with weak people who hated themselves and hated everything True, Beautiful, and Good. In this breakup, it wasn’t me, it was them.
They came for comics and killed them. They came for books and killed them. Lastly, they came for movies, and killed them. Every book and every movie has a message, and most are propaganda of some sort or another, for good or bad. Propaganda to get kids to brush their teeth? That’s good.
But propaganda to turn them into self-loathing transexuals? That’s 100% against the True, the Beautiful, and the Good.
This was the 2022 “woman” of the year. Guess guys do everything better.
Watch what goes into your mind. Watch what goes into the minds of your children. Help them to aspire to be noble and virtuous and strong. Help them to understand that jokes about yappy, farting women have been funny for 4,000 years, and will be funny for as long as women fart.
There are still good books out there. There are still good movies, though they are uncommon, since the rot is very, very deep. But freedom?
It still costs a buck-o-five.