“Hello, I’m Dr. Bean. Apparently. And my job is to sit and look at paintings. So, what have I learned that I can say about this painting? Well, firstly, it’s really quite big, which is excellent, because If it were really small, you know, microscopic, then hardly anyone would be able to see it.” – Bean
If you look closely, you can see itsy-bitsy fur bikini women.
The death of the United States as we know it is near. COVID-19 isn’t the cause of it, despite being in the news nearly as much as a Kardashian. Coronavirus is, rather, a symptom. Like any organism, as soon as a nation is born it begins the process of growth and eventual death. This cycle is a common theme in history, and I’ve visited it before in posts here because I find it more fascinating than, say, beekeeping.
One post I wrote about the how empires have a natural cycle and end date is here (End of Empires, PEZ, and Decadence). That post contains information about Sir John Glubb’s paper called The Fate of Empires. You can also find Glubb’s original paper here (LINK), and you’ll be pleased to find it’s been translated from Glubb’s original fish language.
Which brings us to Thomas Cole. Mr. Cole was an American painter. I say “was” because he’s now dead. This is good, because otherwise he’d have to explain to his wife where the heck he’s been since 1848. Cole did a series of five paintings depicting Glubb’s paper between the years of 1833 and 1836, which was pretty amazing, since Glubb’s paper wasn’t published until 1976. Cole’s five paintings are collectively known as The Course of Empire.
The first of these paintings is called The Savage State. It’s the first picture up above. Cole wasn’t horribly inventive with names, and it’s rumored that he had a dog named “Dog” and a cat named “Cat” and subsisted entirely on a diet of unsalted boiled potatoes. His painting, The Savage State is just that, a savage land dominated by nature, which is also how The Mrs. describes my side of the bedroom. In his painting, you can see that the civilization matched the landscape – rudimentary and rough. It’s chaotic, but that describes a great deal of the prehistory of man. This period of history can last a very, very long time, and would have lasted even longer if humanity would have failed to invent shag carpet.
If you look closely, all these paintings are set in the same place, at different times. Cole even changed the time of day from morning in the first one to night in the final one. I guess this is what you had to settle for as an 1836 version of HD television.
The next painting in the series is The Pastoral State. Each of the paintings presents the same area, just at different stages in the development of the civilization. The land from the original painting has been tamed enough for farming and herding animals. The wild nature of The Savage State has been at least partially replaced by enough control of the land that a greater degree of specialization and start of civilization is possible.
At this stage in the civilizational cycle, there is generally a single dominant culture. If there are two competing cultures, they’ll fight. This explains the Spartans and the Athenians, the North versus the South, or my ex-wife and humans not possessed by Satan. Having a single culture breeds trust, and the uniformity of purpose required for this phase.
The theme of the pastoral state is expansion along the frontier, and is characterized by growth and optimism. It’s how it feels to be on the winning team. Religion is dominant, as are ideals that are higher than self – in Rome, public service was considered honorable. Plutarch wrote about Spartan mothers and their attitudes when their sons went into battle: “Another woman handed her son his shield, and exhorted him: ‘Son, either with this or on this.’”
Legend has it that at one point when Athens was fighting Sparta, that a Spartan, hidden by a hill, taunted the Athenians by yelling, “One Spartan can beat a thousand Athenians!” Enraged, the commander of the Athenians selected his thousand best men and sent them over the hill to kill the insolent Spartan. After fifteen minutes of battle sounds and screaming, a single Athenian, mortally wounded, limped to the top of the hill and yelled down to his general: “Don’t fall for it! It’s a trap! There are actually two of them.”
This state ends when there is no more expansion and frontier. At that point, someone always gets the bright idea that they want to make a buck. The pursuit of profit then replaces the pursuit of honor.
This is the most beautiful and intricate of the paintings. Of course, I had to meme all over it. And looking at the multitudes of people in the painting I had to wonder, “What would a decent three bedroom in the suburbs cost?”
After profits have been pursued for a time, the Empire then reaches the height of power. Cole depicted this phase in his painting The Consummation. Both as a military and economic entity, the Empire will never be better off than at this time, well, at least until it builds that Death Star®. It is here that the greatest works of arts and literature of the society will be created. While the society retains the myth of the expansion, the reality is that is no longer a concern.
Also at this point, intellectuals will start rejecting all of the values that allowed the society to be great, and replacing them with ideals that are often the direct opposite of those that led to success. Virtue is replaced by vanity. Honor and discipline will be mocked as the philosophy of a fool, and be derided as inferior to the values and beliefs of amorality, nihilism, materialism, and collectivism.
Not that I have an opinion, or anything.
Somewhere about this time, with the Empire ceasing to grow, powerful groups figure out that it’s much easier to steal wealth than create it. Politicians devise ways to maximize how much money and power their group can take from the others.
This is the Cole painting, The Destruction of Empire, I see most often out of this set. Perhaps it’s a sign of the time, or perhaps it’s a sign that everyone likes a good Viking raid? Okay. Not everyone. But remember that Roman soldiers are trained, but Vikings are Bjorn.
With the Empire past its peak, the wealth is used to create decadence. Focus is on material goods, and religion declines across the Empire. Since the focus is on wealth, the welfare state forms – Romans had bread and circuses, we have EBT and Netflix®. Historically, foreign peoples from across the Empire stream towards the original culture. Why? Again, the focus is on material goods and not a cohesive society. Why would a Greek want to leave Greece for Rome? I prefer to read books about Rome in Braille – it makes it feel like ancient history.
And as the focus grows on material goods, the originality of the goods disappears. Art becomes a cynical mechanism of control and a means to harvest cash. The remake of the original is remade or rebooted to once again drag the culture for profits. I heard that Hollywood was even going to remake a Muslim version of Footloose, but this time without the Bacon.
An example of that is Spain after the conquest of the New World. Spain found itself with immense wealth in gold. How much wealth? So much that the Spaniards decided that they didn’t want to do the day-to-day things in life, and drew workers in from all across Europe to Do The Jobs Spaniards Wouldn’t Do. So much gold flew into Europe that it changed the exchange rate and wrecked the market for gold. After a century of such luxury, the Spaniards ceased to be the conquistadors that boldly conquered a continent with grit and bravado and became a culture that complained when the Dutch help didn’t peel the grapes correctly.
As an example, in one park I found a cannon seized from a Spanish warship during the Spanish-American War. I looked at the engraving on the cannon – it was beautiful. But this cannon, taken from the Spanish in 1898, was actually forged in 1780 or so. The United States was using cannon that were state of the art and sophisticated, with more than a century of technological advances on the Spanish.
Heck, when a friend got at tattoo in Spain, I was shocked. It was really good. Why was I shocked that it was good? No one expects Spanish ink-precision.
The destruction of Empire can flow not only from battle, but also from a checkbook – a financial collapse can be nearly as devastating as a foreign army, as Spain proves. Regardless, when vigor is gone, pessimism prevails, and sacrifice for the common good to a trustworthy state disappears? Why would you want to be a hero, as all of the national myths and heroes are, one by one, destroyed to make way for the new myths of the intellectual class?
Destruction is just around the corner.
If you look closely at this picture, there are no people, only birds, which must mean that Cole felt that the birds would take over the Earth. This is my favorite, because it makes me feel better about how my yard looks.
Cole’s final painting in the series was the Desolation of Empire. The Empire is over. The drama is over. What remains are a scattered people and the ruins of a great civilization. It sounds bleak, but it doesn’t need to be.
The desolation of Empire isn’t the ending for every person in it, it’s just the ending of the golden age of the way things were. Imagine someone near the end of the Roman Empire, worried about what they saw going on around it. Would the Roman Empire collapse? Certainly. Would all of the people die as a part of this collapse? No. But the globalism of the day did.
And the Roman Empire, in its death, set the stage for a new series of cultures all around Europe – from the reuse of Caesar as “Czar” in Moscow to the United States, which consciously adopted many of the symbols of ancient Rome. What was the first name of the United States Army? Under its first commander, Major General “Mad” Anthony Wayne, it was known as Legion of the United States from 1792-1796.
This isn’t the end of the world, it’s just the end of what we have now, and the end of the United States as we knew her. It’s the beginning of something new as the old structures cease to serve us. There’s a common phrase that I can’t find the source of but that describes the cycle simply and well: “Hard times breed strong men. Strong men breed good times. Good times breed soft men. Soft men? They bring hard times.”
We are in for hard times. But don’t fear. This will make strong men, and, if they are strong enough, a new United States that deserves those strong men.
