“Man, there’s not a year that goes by, not a year, that I don’t read about some escalator accident involving some bastard kid that could’ve easily been avoided had some parent, I don’t care which one, but some parent conditioned him to fear and respect the escalator.” – Mallrats

Is that Neandergibson? Joe Piscopo?
While the 1980s allowed for gonzo productions of very uneven quality to become classics (Better Off Dead, for instance) the 1990s box office was much more crowded and the studios began to spend even more on the films. I’d say that a random movie from 1995 was more professionally made than a random movie from any year in the 1980s, but had a lot less heart.
As to the continuation of the series, I’m not sure if we’ll do 1996 or end it here. I think I’m done with the 1970s, though I have another idea that amuses me that we’ll try in late August. As always, I’m also willing to consider lists of genre flicks, but pretty soon that ends up with movies no one ever saw.
As usual, sequels are excluded on the list. I don’t consider Mallrats a sequel. Thankfully, I make the rules. You may appeal. It will be denied.
As an aside, I don’t think you can overestimate the propaganda impact of films. Just like listening to music puts your brain into a state of suggestable hypnosis (which is why I like to listen to kick-ass music rather than sad stuff most days) so does film. Film takes the next dimension above music by adding visual stimulus, making the hypnosis even more effective. What I take in does impact me, so I consider that more and more as I grow older and as it’s thrown in our faces with the last decade’s worth of propaganda films. I understand now why some don’t like horror films for just that reason. I do like them, still, but I’ve become much more selective as to what I let in the transom.
Speaking of which . . . .

That poster gives me tentacles. I mean tingles. And it looks like Ralph Macchio.
In the Mouth of Madness – I love good Lovecraftian horror. Cosmic horror is at its best when it sketches a universe of limitless expanse where we’re just nubs sitting in the darkness while titanic forces beyond our understanding play out around us. It’s like whistling through the graveyard, if you will. When I first saw In the Mouth of Madness I hated it, because I didn’t get it. Now? My opinion is that it’s great cosmic horror, and shows off Sam Neill as he unwittingly brings about the end of the world. With popcorn. Like most of Carpenter’s work, it has a large following, but was box office poison. But he gets the last laugh in this one.

I have a particular set of skills. Murder and guitar solos.
Rob Roy – Scots fighting to be fiercely independent, while being swindled and taken advantage of by rape-y foreigners? If only they would do that in 2025. Tim Roth steals the show in a perfectly creepy performance with hair appropriate for Isaac Newton if he played guitar for Queen®. It did okay at the box office.

If you’ve seen the movie, this makes a little bit of sense.
Crimson Tide – Another submarine movie because, well, why not? In this one, though, Tony Scott (same guy who cooked a Goose in Top Gun) gets the most out of Denzel Washington and the late Gene Hackman. To be clear, Hackman was still alive during the movie. The two are officers on a nuclear missile submarine that have to decide if they’re going to shoot off nuclear missiles after losing communications with Starfleet®. Me? I would have launched the missiles because that’s one way to get in the history books.

Should this one be called “Bravefelt”?
Braveheart – Tons of historical inaccuracy? Check. Mel Gibson with more hair than an 80’s glam band? Check. Ludicrously long runtime of nearly three hours? Also check. In spite of these things, this was a huge hit. Swords. Women. Bravery. Sophie Marceau at her peak Marceau-ness. What’s not to love?

I still remember when he outran Kevin Spacey to maintain his virginity in the climax.
Apollo 13 – This movie follows the life of a young transgender long-distance runner (Tom Hanks) who needs an older mentor (Kevin Bacon) to buy him shoes because he grew up in a third-world country that couldn’t afford to have a Nike® store or electricity or food.

I need to post this on Rob’s X® feed.
Judge Dredd – Some comic book purists don’t like this version because in the comic books Dredd never takes off his helmet, but Stallone wanted to show off his hair. The (much darker) 2012 reboot Dredd features a Dredd™ that always covers his hedd. I didn’t care, really, since I found this movie both stupid and hilarious and one of Rob Schneider’s best roles. Huge flop. I wouldn’t recommend it, but yet I enjoyed it. Does that mean I hate myself? Anyway, the 2012 version is a much better movie.

Wait, what if every suspect was Rob Schneider? That would be wacky!
The Usual Suspects – Cost $6 million, made nearly $70 million. This one gets the most out of fairly talented cast in a crime mystery, and I will admit that the ending did surprise me when I watched it on a rental VHS tape from Blockbuster™, because I did not know that late fees could get that high. I still don’t know how the tape ended up behind the couch. Maybe it was Keyser Söze?

Wow, those guys are more swole than I recalled. The 90s rocked!
Mallrats – A $6 million dollar budget. $2 million in ticket sales. I think the budget skips all the advertisement for this thing – you couldn’t go anywhere young adults were in 1995 without seeing ads for this movie months before it came out. This movie is a very stupid comedy that brings us Jason Lee (My Name is Earl) as a guy on a quest to get his girlfriend back. I think. It’s funny in a juvenile way, but was also the product of its time. Watched it with my boys, they thought it was hilarious, but were also fascinated, like anthropologists studying a world that existed a thousand years ago.

I hope it’s as good as the sequel to Hamlet.
Leaving Las Vegas – Darkest movie on this list. Watched it once, not sure I have it in me to watch it again. The guy who wrote the semi-autographical novel it was based on killed himself when he found out it was going to be a movie. Guess he really, really, really, really didn’t like Nic Cage.

Heat – I was debating if I was going to do “It Came From . . . . 1995” at all, but the meme above (as found) convinced me that I should. Big hit that I somehow missed and watched a few years ago after Aesop mentioned it. No weapons were injured during the filming of this movie, but not for lack of ammo. Thank heavens Sig® hadn’t introduced the P320™ yet or else half of the ammo fired wouldn’t have needed an actor fanning the trigger. Related news: I hear Alec Baldwin is going to be Sig©’s spokesman.

Four Rooms or Fur Rooms?
Four Rooms – An anthology film that I saw in an arthouse theater (the only time I’ve ever been to one) with a buddy. I guess being in an arthouse theater is with another dude is the gayest thing I’ve ever done in my life, besides that one time I had a wine cooler. Regardless, I enjoyed it, since each one of the four films was essentially a joke tied together by Tim Roth’s best comedic performance. The first film is by far the weakest, but, I can’t call it awful because, boobs.

“Waiter, there’s a rubber chicken in my soup.”
“No there isn’t.”
“Yes, there is. What is it doing there.”
“The backstroke, I believe.”
Now for something completely different.
12 Monkeys – Is he crazy, or is it time travel? Why not both? Terry Gilliam was generally the weakest member of Monty Python®, but he’s done much better as a director. Regardless, this movie brings together Bruce Willis and Brad Pitt in roles very much against the stuff they normally did, with Pitt even getting nominated for an Oscar™.
Not included? Seven. Species. Strange Days. Sense and Sensibility. Really, any movie starting with ‘S’ from 1995. I kid. Things to do in Denver When You’re Dead also nearly made the list.
What did I miss?

































































































