It Should Have Been . . . 1970s

“Does your physical disability preclude you from coming to the point?” – The Eiger Sanction

In 1970, baseball pitcher Doc Ellis pitched a no-hitter while stoned on LSD, which is less impressive when you realize that in 1970 all the batters were on LSD, too.

The Oscar® is, after piles of cash, the biggest award in Hollywood™.  It is when the industry votes on who they feel is the best of their very, very visible profession.  Oh, sure, the people who influence more lives, like the guys who invent ways to clean water or manage the building of the interstate highway system get awards, but those are ignored because illegal aliens hadn’t made driving spicey again.

I’ve decided that I’d go through the decades (at least a few of them) and start comparing who won the Oscar™ versus who I think should have won for both best picture and best actor.  Since Hollywood® now thinks that men are exactly the same as women, I’ve decided to skip the best actress and just name the one I think is hottest.

After going through all of the movies of the 1970s, they sucked.  The 1970s was a dismal, joyless decade of crappy movies, for the most part, which is why my “It Came From . . . “ series is done going backwards into the past.

All movies are from the ones I’ve seen.  There are a lot of movies I haven’t seen from the 1970s, and I’m probably better off for that.

Here we go:

1970

Best Picture:  Patton.  Biopic of, perhaps, the greatest tactical Allied general of World War II.

Should have been:  Patton.  Reason:  I like tanks.

Best Actor:  George C. Scott, Patton.  Perhaps the best choice possible of someone who could play Patton.

Should have been:  Donald Sutherland, Kelly’s Heroes.  Disagree?  Always with the negative waves, man.  Plus, still has tanks.

Hottest Actress:  Sandra Dee, The Dunwich Horror.  Especially in that one outfit.

1971

Best picture:  The French Connection.  Didn’t see it because I don’t like the French.

Should have been:  Dirty Harry or Vanishing Point (Tie).  So hard to choose, so I decided I didn’t have to.

Best Actor:  Gene Hackman, The French Connection.

Should have been:  Kurt Russell, The Barefoot Executive.  A very reserved performance from Kurt Russell of what should have been a long string of Oscars™.

Hottest Actress:  Jill St. John, Diamonds are Forever.  Honorable mention:  The “more buoyant than her sister” Lana Wood (also Diamonds are Forever) in her role as Plenty O’Toole (named after her father).

1972

Best Picture:  The Godfather.  A movie that came together perfectly for Francis Ford Coppola and is now one that many view as one of the best movies ever made.

Should have been:  The Night Stalker.  This made-for-TV movie featuring veteran actor Darren McGavin about the exploits of a plucky Chicago newsman is simply more fun.

Best Actor:  Marlon Brando, The Godfather.

Should have been:  Ned Beatty, Deliverance.  What goes on in the mountains, stays in the mountains.

Hottest Actress:  No entry.  I looked.  Dismal.  1972 was probably the nadir for hot chicks in Hollywood©.

1973

Best Picture:  The Sting.  Long documentary about how people develop allergic reactions to insect venom that I saw in health class.  I’ll pass, thank you.

Should have been:  The Exorcist.  Long documentary about Rosie O’Donnell’s childhood.

Best Actor:  Jack Lemmon, Save the Tiger.  No idea what this even is.

Should have been:  Clint Eastwood, High Plains Drifter.  Yeah.  Guns.  Dynamite.  Retribution from beyond the grave.  Yeah.

Hottest Actress:  Mariana Hill from High Plains Drifter gets the nod – she is also Norman Schwartzkopf’s cousin, so, more tanks.

1974

Best Picture:  The Godfather, Part II.  Some people like it even better than the first one making it even more classic-er.

Should have been:  The Man with the Golden Gun.  Bond putting a midget in a basket so he can bang hotties?  Yes.

Best Actor:  Art Carney, Harry and Tonto.  Seriously?  Who voted for this crap?

Should have been:  Sean Connery, Zardoz.  Any actor that can wear that orange jockstrap for an entire movie and not laugh wins.

Hottest Actress:  Susan Penhaligon, Land That Time Forgot.  Not a lot of competition this year, and she looked great struggling against that quicksand.

1975

Best Picture:  One Flew Over the Cuckoo’s Nest.  Revenge fantasy where a Native American kills a white guy in the end.

Should have been:  The Eiger Sanction.  Clint Eastwood, spies, mountain climbing, double crossing, murder.

Best Actor:  Jack Nicholson, One Flew Over the Cuckoo’s Nest.

Should have been:  Kurt Russell, The Strongest Man in the World.  It should have been Kurt’s year, with this poignant portrayal of a victim of science gone mad.

Hottest Actress:  That girl at the beginning of Jaws, but I think she was an acquired taste.

1976

Best Picture:  Rocky.  Tale of a bum who became a boxer.  I can play the theme on a bass drum.

Should have been:  Rocky or The Outlaw Josey Wales.  I’ve seen Rocky two times, I think.  I’ve seen The Outlaw Josey Wales about twenty, because when I flipped through the channels, regardless of where it was in the movie I’d watch it.

Best Actor:  Peter Finch, Network.  Sure, I’ve seen the same clip, but that’s all I’ve seen.

Should have been:  Sylvester Stallone, Rocky.  His perfect movie.

Hottest Actress:  Farrah Fawcett-Majors, Logan’s Run.  Close second?  Jennie Agutter, Logan’s Run.

1977

Best Picture:  Annie Hall.  Crap.

Should have been:  Smokey and the Bandit.  Not crap.

Best Actor:  Richard Dreyfuss, The Goodbye Girl, meh actor in crap movie.

Should have been:  The Car, The Car.  A much better actor with a much better range than Dreyfuss, since during The Car’s scenes, you could hardly tell he was a 1971 Lincoln Continental Mark III, which is pretty impressive acting.

Hottest Actress:  Marilyn Chambers, Rabid.  The Ivory Snow™ girl grown way up.  Way up.

1978

Best Picture:  The Deer Hunter, a how-to video on how to win at high-stakes Asian gambling.

Should have been:  National Lampoon’s Animal House.  Animal House was unique, in that it was a comedy that had a plot, yet the comedy never overwhelmed the plot until the end, and the writers gave up.

Best Actor:  John Voight, Coming Home.  The world did not need this movie.  I don’t have anything against Voight personally, since he’s never hit me up for that $20 I borrowed from him.

Should have been:  Tommy Chong, Up in Smoke.  It’s amazing what life a Shakespearean-trained actor at Julliard and former astrophysicist Tommy Chong can bring to a role.  Or in this case a rolled joint.

Hottest Actress:  Annie Potts, Corvette Summer.  Another rough year, I had to scrape the bottom of the barrel to find Annie.

1979

Best Picture:  Kramer vs. KramerKramer vs. Kramer was used to normalize divorce to a public that still regarded it as skeevy.  Plus?  Boring.  It would have been better if it were just Michael Richards from Seinfeld arguing with himself for two hours.

Should have been:  Alien, Apocalypse Now, The Jerk, literally anything but Kramer vs. Kramer.

Best Actor:  Dustin Hoffman, Kramer vs. Kramer.  Watching Kramer vs. Kramer made me wish that I could ask Dustin “Is it safe?” for a few hours.

Should have been:  Angus Scrimm, Phantasm.  Being the Tall Man was an understated role, all he had to do was be evil while the evil dwarves and spike-spheres had to do all the hard work.

Hottest Actress:  Bernadette Peters, The Jerk.  It was her or Sigourney Weaver in Alien, so I went with cute over space underwear.

Movies got (generally) better and women got hotter as the decade went on.  Still, a far weaker decade than we’ll see when (in November) we get to the 1980s where the women were hotter and the movies were better.  Oscar®?  He still missed most of the best movies and performances, since even though movies were better, the voters of The Academy™ were stuck getting high on their own supply.  Your take?

The Birds, The Bees, The Money, The Movies

“That’s good, because she’s a predator posing as a house pet. Stay away from that one.” – Fight Club

While the other Roombas™ cleaned, my Roomba™ studied the blade.

It’s Friday night, 1985.

Me, back before the hair migrated from scalp to back, picked up my date. She’s spent two hours teasing her hair to defy gravity using enough hairspray to singlehandedly destroy the ozone layer over Peru.

It was before streaming, so we headed to the movie theater because that’s what you did. I chose the movie. I always chose the movie. I actually never asked my date what she would like to see, because I was paying for it. Choices? Well, Back to the Future or, hey, Predator!

Yeah. Predator. Hell yeah.

She’s along for the ride, giggling.

When IKEA® furniture is stolen, it activates a shelf-destruct sequence.

As we’ve already discussed, this was the golden age of cinema, when movies were made for the people who actually showed up: young guys trying to score, uh, points. Yeah, score points with their dates.

Now it’s 2025, and Hollywood is finally remembering who buttered its popcorn.

Feminism, in its quest to “fix” everything (men, the patriarchy, colonialism, pumpkin spice) has turned every movie into a lecture hall. The box office results show that the audience has been sneaking out the back. Why?

Movies over the last decade bore men, annoy women, and leave studio execs wondering why their company returns are flatter than Harvey Weinstein’s prison mattress. I’m sure Harv has the lower bunk, right?

Historically, movie decisions were simple. Young men, wallets stuffed with ambition and minimum-wage cash, picked the films to woo their dates.

Sure, exceptions existed. I once got dragged to Dangerous Liaisons, surrounded by women swooning over 18th century French literature. I guess the consolation prize for me was prime Uma Thurman, but she was stuck in a plot denser than a dutchman’s fruitcake. (I have no idea if the Dutch eat or make fruitcake, but the phrase “dutchman’s fruitcake” should exist. You’re welcome.)

I hear the Dutch are tall because all the short ones died in floods.

My point is, men drove the box office because they were the ones buying the tickets. And what do men want?

Let’s not kid ourselves: great quests, attractive women, preferably ones who don’t lecture them on how to be better feminists, and explosions.

What do men want out of their women?

Men want an attractive woman. They also want loyalty, and a woman who’s, well, womanly nurturing, supportive, maybe even a future mom who doesn’t bench press more than they do as I was taught was the norm in Eastern Europe.

In Soviet Russia, you not wait for tooth fairy, tooth fairy wait for you.

But Hollywood’s 2015 memo?

Men’s preferences are problematic. Instead, they gave us girlbosses who could arm-wrestle Thor and win, despite never having arm-wrestled. These characters aren’t meant to only break the glass ceiling; they shatter the laws of storytelling itself.

Women, on the other hand, have their own cinematic cravings, and they’re not what the feminist scriptwriters think. Women don’t want to see perfect, flawless heroines who never break a nail. They want the fantasy of a powerful, ruthless man, think Ted Bundy with cash, who could crush them but don’t, and who’s inexplicably obsessed with them despite their quirks or, let’s be honest, their past.

It’s why Pretty Woman still gets women, um, misty. We’ll go with misty. A billionaire Richard Gere, falling for a hooker, is peak fairy tale. It’s why The Handmaid’s Tale keeps spawning sequels despite all the women claiming it’s a dystopia. Women say they don’t want to be handmaids, but they keep coming back for more, uh, stimulation.

And do they imagine being held down?

Hollywood’s current slate of heroines are not women: they’re poorly written men with better haircuts played by actresses who average a 6 out of 10. They’re written as invincible, quip-dropping machines who never fail, never learn, and never need no man—unless he’s there to clap like a trained seal.

This isn’t the Hero’s Journey; it’s the Hero’s Freeway, a straight shot to victory with no pitstops for growth. The Hero’s Journey, for those who skipped English class, is the classic epic story arc: a flawed character faces trials, fails, learns, changes, and triumphs. Think The Odessey. Think Beowulf. Yes. It’s that old. Luke Skywalker®, and Rocky Balboa™ are cut from the same cloth, because that story is the story of humanity.

Failure is the crucible that forges heroes.

But Hollywood’s girlbosses? They start perfect, stay perfect, and win without breaking a sweat. It’s like playing a video game on invincible mode—boring as hell.

Men aren’t signing up for lectures disguised as blockbusters. They want women who are worth rooting for—gorgeous, loyal, maybe even a little vulnerable, not someone who can out-punch them, out-smart them, and out-sarcasm them while looking like they just rolled out of a CrossFit® gym.

She solidly would have fit better in episode 3 out of 10.

Hollywood’s response? Write male characters, slap on some lipstick, hire mid-looking women to play them, and call it empowerment. No wonder they’re all-in on the trans movement, it’s just their casting philosophy taken to its logical extreme.

Women aren’t really thrilled either. Women want strong, dangerous men who choose not to break them, men who are powerful but prioritize them (while not too much, because that’s clingy). It’s why war brides lined up with open arms and open legs for conquerors from Genghis Khan to G.I.s in post-WWII Europe.

It’s why women, despite demanding equal pay, still want a man who earns more than they do. Equal pay? Sure. But he better out-earn her. But she also wants equal pay. But also he better out earn her . . . you get it. It’s a merry-go-round of contradictions that only stops when the popcorn runs out.

So why are movies so bad? Because ideology hijacked the projector. Somewhere along the line, a cabal of GloboLeftists, yes, studio execs and “scientists” and journalists and professors, all with pronouns in their bios, decided men and women are exactly the same. This is the root of the trans nonsense, the girlboss epidemic, all of it. They pushed a narrative that ignores biology, psychology, and basic human nature.

Men and women aren’t interchangeable cogs; they’re different, and that’s not a bug, it’s a feature. And it’s not just in the crotch. But Hollywood, drunk on GloboLeftist dogma, decided to churn out films that lecture instead of entertain because that was the narrative.

The result? Box office receipts that now look like a clearance sale on Betamax™ tapes at Blockbuster Video®. Audiences aren’t stupid: they know when they’re being preached to.

I’m so old I rewind Netflix™ movies before logging out.

Men don’t want to watch a Captain Marvel™ who is flawless in every way, punch harder than any other character because she’s 100% girlboss. Women don’t want to see another flawless heroine who makes them feel inadequate and don’t care about those movies anyway. And studios? They’re bleeding cash faster than Taylor Swift crying over her impending divorce after her impending marriage. But, hey, think of the album sales!

If Hollywood wants to save itself, it’s simple: make movies for humans, not manifestos. Give men the eye candy and heroism and explosions they crave along with a boy who fails, and in that failure, becomes a man. Give women the powerful, complex men they dream of, not cardboard cutouts spouting feminist taglines that result in, um, uncomfortable dryness.

Let characters fail, grow, and earn their wins. Stop pretending men and women are the same, because the only thing that’s equal is how much everyone hates these preachy flops.

Until then, I’ll be at home, rewatching Predator. Because nothing says “date night” like Dutch bleeding, swearing, and chomping a cigar while saving the day and the dame.

Now that?

That’s a movie.

A Tale Of Two Koreas: Dystopia On The Half-Shell

“From what I hear, which isn’t much, Iran financed it and North Korea supplied the bombs.” – Jericho

North Korea shows off it’s newly developed portable Internet device.  (All memes as-found)

Imagine living in a Korea where:

  • a small group of corrupt elite wield godlike powers over the government and citizens,
  • kids work in factories at the age of less than 10, or, toil in school for up to 18 hours a day to study for a chance to please that same elite who control the entire country,
  • most non-elite live in drab, gray (or is it grey?) apartments with the main view of . . . other apartments,
  • adults work long hours in a job that mainly serves to feed the elite,
  • the fertility rate is 0.78, meaning life is so awful that parents don’t want to bring babies into it, meaning the population will be cut by more half each generation, and
  • the kids listen to K-Pop.

Yeah.  South Korea.

You know, I know people love to call certain places hellholes while praising others as shiny beacons of progress, mainly due to one being capitalist and one being communist.

I get it.  I hate communism, too.

I had a horrible dream last night that Artificial Intelligence controlled our lives, and then, thankfully, the alarm on my Alexa® went off and woke me up and then Alexa® went through my to-do list.

But what if I told you that sometimes the “better” option of capitalism is just a prettier prison?

In South Korea, a tiny cabal of families runs the show like they’re the Sopranos, but with better electronics, worse haircuts, and no fear of the FBI.  These aren’t your average mafia dons; we’re talking about chaebols.  Chaebols are massive conglomerates that have tentacles that extend all the way through all parts of society, like the corporation you work for owning your fridge, car, and your grandma’s pacemaker.

Take the Lee family at Samsung®:  they’re not just peddling phones with spyware straight from the NSA, nope.  In South Korea, they have fingers in everything from shipbuilding to life insurance to health care to construction to hotels in about 80 different companies that comprise about 22% of the South Korean economy.

Hell, if you sneeze in this country, there’s probably a Samsung tissue waiting to catch it.  And when Daddy Lee gets nabbed for bribery and attempted bribery (again), does the empire crumble?

Nope, Lee Junior slides right in.

Is the guy who does security on Samsung™ phones the guardian of the galaxy?

Then there’s the Chung clan over at Hyundai®. These folks don’t just make cars.  Nope.  Hyundai builds cities, runs banks, and probably have a secret lab cloning K-Pop idols, Gangnam-style.

Power gets handed down generation to generation, and if there’s a whiff of scandal?  Poof, it vanishes faster than a North Korean dissident.

Embezzlement?

Tax evasion?

Those are just another boring Tuesday for these overlords.  They operate above the law, pulling strings in government like K-Y® covered puppet masters at a marionette orgy (I’m sorry I thought of that, but now you have to think of that, too).

I don’t know how to stop a killer sex bot, but I do know how to stop a hand puppet:  disarm it.

These huge conglomerates eternal, sucking up wealth while the average South Korean fights over scraps.  Capitalism is great at building stuff, sure, but when it goes full oligarch, it’s like giving all the Monopoly® money to the banker (drunk Aunt Betty) and listening to her tell everyone else to enjoy passing Go© without collecting $200 and then it’s the Thanksgiving from Hell and Uncle L.T. won’t stop talking about golf.

Excuse me.  Some past-life trauma.

I’m not against wealth concentration when it comes because people created actual wealth in society.  I think people should be rewarded for making the lives of others better.  But South Korea?  The top families make money because they control all the pathways of wealth creation and the government.

I’d bet they’re gonna make a move on religion, next.

Bold statement time: capitalism alone doesn’t equal freedom; and in South Korea it is just feudalism (which, I remind you, was also capitalism) with neon-colored LED lights.

And it gets worse.  What really inspired me to write this one was about the kids.  The South Korean economy is a beast that demands blood sacrifices, starting young.  Kids are out there hustling like they’re in a Dickens novel, but instead of cleaning chimneys, it’s cram schools that make American homework look like recess.

I’d make a joke but I want to be seen as mining my own business.

For the grown-ups, it’s worse: 60-80 hour weeks are the norm, turning humans into zombies shuffling through cubicles.  Monotonous?  Try soul-crushing, like being stuck in the Matrix but without the cool kung fu and hot chicks in skin-tight latex.  Adults are coding, welding, or staring at screens till their eyes cross, all for a paycheck that barely covers rent.  And that’s the lucky ones – the effective unemployment rate flirts on a regular basis with 25%.

And speaking of rent—everyone’s jammed into these towering commie-blocks, gray slabs of despair that make Brutalist architecture look inspiring.  Check it out on Google™ Maps© Streetview®.  It’s like The Sims® but with new Depression Mode enabled: tiny apartments where families stack like cordwood, dreaming of escape but too exhausted to move.

The place where it gets really grim is that they’re working themselves to death.  South Korean birthrates are in the toilet, flushing away the future one non-existent kid at a time.

It takes 2.1 kids per woman to keep a population stable.  In South Korea, it’s 0.78 kids per woman.  In about 100 years, that might mean that instead of 55 million serfs potential employees Samsung® might only have a just a few over 7.5 million left.

This isn’t sustainable; it’s societal suicide by spreadsheet.

You know what jokes about low birthrates aren’t?  Childish.

Everyone thinks it South Korea is all Squid Games and high-speed internet, but peel back the veneer, and it’s a dystopia where families (well, not all families) get ground to dust.  Sure, they’ve got flashy tech, but at what cost?

Their souls, apparently.

Now, let’s cross that fortified border to the hermit kingdom of North Korea, where the dystopia’s got a different flavor but the same aftertaste of oppression. Point by point, because why not?

  • Corrupt Clique in Charge: Instead of chaebol families, it’s the Kim dynasty. Power passes from Kim to Kim like a Habsburg chin.  Voting?  You don’t vote on a living god.  The elite live like it’s a South Korean oligarchy, but make theirs communist, so, uniforms and marching and Soviet-tech.  So, tie.
  • Economic Shackles on Steroids: Child labor? Oh yeah, but it’s “patriotic duty” with Nork kids harvesting crops or building monuments to Stalin instead of studying like their southern counterparts.  The system is a joke, with rations so meager you’d think calories were capitalist spies.  Families toil in state farms or factories, nukes, missiles, and spare MiG parts while the Kim family imports Twix® and Coors™.  The South doesn’t have death camps, but I’m not sure if that’s good or bad at this point, so, tie.

This definitely hurt the North’s score.

  • Soul-Sucking Slog: Just like being at the Democratic National Convention, life in North Korea is a parade of propaganda and forced smiles, living in actual commie-blocks that crumble like the regime’s promises.  Monotonous work?  Try endless marches and indoctrination sessions.  It’s like 1984 but with worse food even than English food.  I’ll give this to the South, since they come here from time to time, and I’ve never had a North Korean visit.

What is this, a school for ants?

  • Birthrates Below Replacement: Around 1.9 kids per woman, much, much better than the South, so eventually there will be more Norks than replaceable Samsung® assets.  Besides, who wants to raise a family when Junior might rat you out for humming the Brady Bunch theme?  This one goes solidly to North Korea.
  • K-Pop Equivalent? Nope, just state anthems praising the Dear Leader.  I’ve got to give this to North Korea.

If black people move there, will they make K-Rap?

Point total?  To the North.

Okay, if I had to pick, I certainly wouldn’t pick the North, but let’s be honest, the South is awful as well.  I’ve been trying to make this point again and again:  capitalism is an economic system, and it’s only a useful economic system if it generates wealth and supports families.  When capitalism captures the systems of government the people begin to look like property, exactly like people look to communists.  In Korea, people are either cogs or convicts.

The Founders didn’t mention capitalism or socialism, they just turned people loose with guns and a few rules and let them figure it out.  In the West today, business wants to import foreigners to become better cogs, and the GloboLeft wants to import hordes of foreigners who are used to their government treating them like convicts.

Though on the bright side, my Samsung™ phone has lasted for years . . .

Schlitz® and Shot Puts: The Lost Art of Failing

“For the genetic elite, success is attainable, but not guaranteed.” – Gattaca

I heard women are now allowed to join the SAS.  Thank heavens!  There’s no way those lads should be making their own sandwiches.

When I was a kid, life was a buffet of possibilities with a chocolate sauce fountain at the end.  I should know, because I was that greedy little guy piling my plate high with everything from wrestling to chess club to that four ill-fated years of track where I learned that that shot put was never going to go farther than 38’.

Ever.

But it wasn’t just me.  Back in the ‘70s and ‘80s and ‘90s, all of childhood was a sandbox—room to dig, build, and occasionally eat the sand just to see what happened.  Hell, in the 1970s I don’t think mothers stopped smoking while in labor, and then let their kids go free-range until the police brought them home from the kegger at the old gravel pit.  They said I was full of Schlitz®, but I would have differed if I didn’t keep passing out.

An original ad.  Back when ads were based.  And, probably a good enough cook for the SAS.

Outside of cheap watery beer, as a kid I could try everything, suck at half of it, and still have time to ride bikes with my buddies.  I mean, they were imaginary friends, but at least they would stop staring at me when I yelled at them, “stop staring at me”.

The point is, I had time.  Time to dabble, freedom to fail, and a real chance to struggle to find out what made John Wilder tick (spoiler:  booze, tobacco, and women).  I could dream of being an astronaut one week a Green Beret the next, and James Bond the week after.  No one demanded that I pick a lane and stay there, probably because they were too busy smoking and drinking and driving. For me, though, failure was a teacher, not a felony.

Kids today?

They’re not at a buffet.  They forced to pick their entrée at 12 and commit to it like terrier hangs onto a T-bone.

I remember a conversation with a colleague back in Houston, circa 2010.  His daughter, still in middle school, had to choose: volleyball, softball, or tennis.  One single sport, full commitment, no take-backs.

When his girlfriend asked if he was trans, he got so mad that he packed her stuff and left.

This wasn’t just signing up for the school team and seeing how it went.  This meant off-season practices, traveling squads, private coaching, and summer clinics that cost more than my first car.  All this for a kid who, statistically, had a better shot at being struck by lightning than playing at the college level.  In Houston’s mega-sized high schools (the nearest one had 5,000 kids and a football stadium that could shame a small college) only the top 1% even make the team.

The rest?  They’re sidelined, their dreams of spiking a volleyball or swinging a bat relegated to backyard pickup games, if they’re lucky.

Why this insanity? Two culprits: economics and elite overproduction.

First, economics.

Big school districts love their mega-schools.  They’re cheaper per pupil to run, since they have fewer buildings, fewer janitors, more bang for the bureaucratic buck.  Plus, a 5,000-student high school can field a football team that crushes smaller districts and draws 20,000 fans to a stadium that makes my college’s stadium look like a community rec center field for third graders.  In Texas, high school football isn’t a sport; it’s a religion, though they do have better concessions.

But our high school coach wanted us to have a small ghost.  He said he wanted us to show a little team spirit.

And it pays:  Bigger schools mean bigger revenue, bigger crowds, and bigger bragging rights for state titles, but you still only need 45 uniforms and helmets.

The second culprit is trickier:  elite overproduction.

Historian Peter Turchin (who I’ve written about before HERE) points out that societies often churn out more “elites” than they can sustain—too many people vying for too few top spots, whether in politics, business, or, yes, even high school sports.  We see it in our polarized Congress and bloated corporate C-suites, so why not in our kids’ lives?

Parents, schools, and even kids themselves feel the pressure to produce not just good students or athletes but exceptional ones.

The result of this is catastrophic.  It has produced a generation of tweens locked into one sport, one instrument, or one hyper-specialized path, all in the name of building a résumé for elite colleges that demand “well-rounded” applicants who’ve paradoxically had no time to be well-rounded.  Or, you know, they could just have a great DEI score.

Whatever.

Dogs have masters.  Cats have staff.

For the average kid, the stress this creates is brutal.  Kids today face schedules that would make a CEO sweat.  A 14-year-old might have 6 a.m. weight training, school, after-school practice, and a side hustle of “personal development” like SAT prep or violin lessons.

Free time?

That’s for quitters.

Social life?

Catch up on InstaFace® between reps.

The mental toll is real:   you can look around and see kids today are drowning in depression and hopelessness.  Part of this, I’d argue, comes from a life without failure.  Most kids in Houston won’t lose a football game or a wrestling match or a basketball game.  They’ll go and watch, sure, but they don’t get a chance to actually fail.  Without learning that failure is really an option and that tomorrow is another day, every little setback in their life feels like a catastrophe.

Without challenges that force them to fail, adapt, and push through, they hit adulthood brittle, unprepared for real-world setbacks.  I lost at sports in ways that made me want to cry when I was in high school.  I didn’t cry because I’m not gay, but I learned that I could get up in the morning after losing and see that I was still there.  My loss was temporary, but it really did help build may character.  Today’s kids, locked into elite tracks or locked out of actual competition, often don’t face meaningful failure until it’s high-stakes.

By then, the stakes are too high to learn gracefully.  They need safe spaces to crash and burn, like a JV wrestling match where you get pinned by a kid whose armpit smells like grape soda and Cheetos® or a debate club where your argument flops harder than a fish on a dock.

After the Little Rascals finished, Buckwheat became moslem and is now known as Kareem O’Wheat.

When we moved away from Houston’s mega-schools to Modern Mayberry, we did it mainly to escape this madness.  Our kids could try things.  They didn’t have to be the best to play, and they had room to fail without it defining their future or collapsing their ego.

That freedom let them discover who they were, not who a coach or a college admissions board thought they should be.  They’ve learned that the struggle is the goal.

Well, that and the booze, tobacco, and women.

It Came From . . . 1995

“Man, there’s not a year that goes by, not a year, that I don’t read about some escalator accident involving some bastard kid that could’ve easily been avoided had some parent, I don’t care which one, but some parent conditioned him to fear and respect the escalator.” – Mallrats

Is that Neandergibson? Joe Piscopo?

While the 1980s allowed for gonzo productions of very uneven quality to become classics (Better Off Dead, for instance) the 1990s box office was much more crowded and the studios began to spend even more on the films. I’d say that a random movie from 1995 was more professionally made than a random movie from any year in the 1980s, but had a lot less heart.

As to the continuation of the series, I’m not sure if we’ll do 1996 or end it here. I think I’m done with the 1970s, though I have another idea that amuses me that we’ll try in late August. As always, I’m also willing to consider lists of genre flicks, but pretty soon that ends up with movies no one ever saw.

As usual, sequels are excluded on the list. I don’t consider Mallrats a sequel. Thankfully, I make the rules. You may appeal. It will be denied.

As an aside, I don’t think you can overestimate the propaganda impact of films. Just like listening to music puts your brain into a state of suggestable hypnosis (which is why I like to listen to kick-ass music rather than sad stuff most days) so does film. Film takes the next dimension above music by adding visual stimulus, making the hypnosis even more effective. What I take in does impact me, so I consider that more and more as I grow older and as it’s thrown in our faces with the last decade’s worth of propaganda films. I understand now why some don’t like horror films for just that reason. I do like them, still, but I’ve become much more selective as to what I let in the transom.

Speaking of which . . . .

That poster gives me tentacles. I mean tingles. And it looks like Ralph Macchio.

In the Mouth of Madness – I love good Lovecraftian horror. Cosmic horror is at its best when it sketches a universe of limitless expanse where we’re just nubs sitting in the darkness while titanic forces beyond our understanding play out around us. It’s like whistling through the graveyard, if you will. When I first saw In the Mouth of Madness I hated it, because I didn’t get it. Now? My opinion is that it’s great cosmic horror, and shows off Sam Neill as he unwittingly brings about the end of the world. With popcorn. Like most of Carpenter’s work, it has a large following, but was box office poison. But he gets the last laugh in this one.

I have a particular set of skills. Murder and guitar solos.

Rob Roy – Scots fighting to be fiercely independent, while being swindled and taken advantage of by rape-y foreigners? If only they would do that in 2025. Tim Roth steals the show in a perfectly creepy performance with hair appropriate for Isaac Newton if he played guitar for Queen®. It did okay at the box office.

If you’ve seen the movie, this makes a little bit of sense.

Crimson Tide – Another submarine movie because, well, why not? In this one, though, Tony Scott (same guy who cooked a Goose in Top Gun) gets the most out of Denzel Washington and the late Gene Hackman. To be clear, Hackman was still alive during the movie. The two are officers on a nuclear missile submarine that have to decide if they’re going to shoot off nuclear missiles after losing communications with Starfleet®. Me? I would have launched the missiles because that’s one way to get in the history books.

Should this one be called “Bravefelt”?

Braveheart – Tons of historical inaccuracy? Check. Mel Gibson with more hair than an 80’s glam band? Check. Ludicrously long runtime of nearly three hours? Also check. In spite of these things, this was a huge hit. Swords. Women. Bravery. Sophie Marceau at her peak Marceau-ness. What’s not to love?

I still remember when he outran Kevin Spacey to maintain his virginity in the climax.

Apollo 13 – This movie follows the life of a young transgender long-distance runner (Tom Hanks) who needs an older mentor (Kevin Bacon) to buy him shoes because he grew up in a third-world country that couldn’t afford to have a Nike® store or electricity or food.

I need to post this on Rob’s X® feed.

Judge Dredd – Some comic book purists don’t like this version because in the comic books Dredd never takes off his helmet, but Stallone wanted to show off his hair. The (much darker) 2012 reboot Dredd features a Dredd™ that always covers his hedd. I didn’t care, really, since I found this movie both stupid and hilarious and one of Rob Schneider’s best roles. Huge flop. I wouldn’t recommend it, but yet I enjoyed it. Does that mean I hate myself? Anyway, the 2012 version is a much better movie.

Wait, what if every suspect was Rob Schneider? That would be wacky!

The Usual Suspects – Cost $6 million, made nearly $70 million. This one gets the most out of fairly talented cast in a crime mystery, and I will admit that the ending did surprise me when I watched it on a rental VHS tape from Blockbuster™, because I did not know that late fees could get that high. I still don’t know how the tape ended up behind the couch. Maybe it was Keyser Söze?

Wow, those guys are more swole than I recalled. The 90s rocked!

Mallrats – A $6 million dollar budget. $2 million in ticket sales. I think the budget skips all the advertisement for this thing – you couldn’t go anywhere young adults were in 1995 without seeing ads for this movie months before it came out. This movie is a very stupid comedy that brings us Jason Lee (My Name is Earl) as a guy on a quest to get his girlfriend back. I think. It’s funny in a juvenile way, but was also the product of its time. Watched it with my boys, they thought it was hilarious, but were also fascinated, like anthropologists studying a world that existed a thousand years ago.

I hope it’s as good as the sequel to Hamlet.

Leaving Las Vegas – Darkest movie on this list. Watched it once, not sure I have it in me to watch it again. The guy who wrote the semi-autographical novel it was based on killed himself when he found out it was going to be a movie. Guess he really, really, really, really didn’t like Nic Cage.

Heat – I was debating if I was going to do “It Came From . . . . 1995” at all, but the meme above (as found) convinced me that I should. Big hit that I somehow missed and watched a few years ago after Aesop mentioned it. No weapons were injured during the filming of this movie, but not for lack of ammo. Thank heavens Sig® hadn’t introduced the P320™ yet or else half of the ammo fired wouldn’t have needed an actor fanning the trigger. Related news: I hear Alec Baldwin is going to be Sig©’s spokesman.

Four Rooms or Fur Rooms?

Four Rooms – An anthology film that I saw in an arthouse theater (the only time I’ve ever been to one) with a buddy. I guess being in an arthouse theater is with another dude is the gayest thing I’ve ever done in my life, besides that one time I had a wine cooler. Regardless, I enjoyed it, since each one of the four films was essentially a joke tied together by Tim Roth’s best comedic performance. The first film is by far the weakest, but, I can’t call it awful because, boobs.

“Waiter, there’s a rubber chicken in my soup.”
“No there isn’t.”
“Yes, there is. What is it doing there.”
“The backstroke, I believe.”
Now for something completely different.

12 Monkeys – Is he crazy, or is it time travel? Why not both? Terry Gilliam was generally the weakest member of Monty Python®, but he’s done much better as a director. Regardless, this movie brings together Bruce Willis and Brad Pitt in roles very much against the stuff they normally did, with Pitt even getting nominated for an Oscar™.

Not included? Seven. Species. Strange Days. Sense and Sensibility. Really, any movie starting with ‘S’ from 1995. I kid. Things to do in Denver When You’re Dead also nearly made the list.

What did I miss?

The People’s Sick Day™: Commies . . . Not Working. Again.

“Uh, yeah, sure, no I’d be happy to, yeah you, uh, you just produce a corpse, and uh, I’ll release Sloane.  I wanna see this dead grandmother first hand.” – Ferris Bueller’s Day Off

If I take LSD before a vision exam, I always pass with flying colors.

In one of the more interesting moves, the remnants of the pot-addled hippies that were protesting in the 1960s have emerged from their Volkswagen™ camper vans and finally figured out that Jerry Garcia is as dead as Hubert Humphrey and the Equal Rights Amendment.  They looked around, and decided that, heck, there wasn’t near enough communism going around, so they needed more.

Their cunning plan?  A three-day sick day.  When is it going to happen?  Sometime.  They don’t want to say when, because they don’t want The Man to know.  The idea isn’t for them to show how little the world needs all the communists who have jobs in HR or making PowerPoints™ so they can pay someone to ignore their out-of-wedlock child (if they’re lucky) or cats (if they’re not).

Nope, that’s not it at all.

The idea is to point out who they are so that they’ll be easier to recognize in the future.  As if the blue hair and nose rings, “gender dysphoria” or pronouns in their bios weren’t enough.

What do you call a polygamous hippie’s wives?  One Mrs. Hippie, Two Mrs. Hippie, . . .

I digress.

Thankfully, on their Discord© server they have a list of their demands, and, a professional journalist waded through the GloboLeftist coping and seething and published them on MSNBC®(LINK).  This is good, because the demands are so cringe that it’s hardly sporting to make fun of them.  But I will, because I’m hardly sporting.

Why don’t I have PTSD?  I’m the traumatic event.

I’ll list their demand (The People’s Sick Day™ Totally Stupid Demand, or PTSD), and my counter-demand (Wilder Talking Facts, or WTF):

PTSD:  Calling for the impeachment, removal, and arrest of Donald John Trump and the Republican administration for knowingly manipulating the U.S. stock market, ignoring the U.S. Constitution, trafficking humans, and destroying our federal workforce. HE IS A CRIMINAL! LOCK HIM UP.

WTF:  What happens in 2028 when Trump runs for his third term is no longer the face of the opposition?  Who will drive them insane with hate?  Regardless, my reasonable response is:  No.

PTSD:  Demanding HANDS OFF Social Security, Medicare, Medicaid, SNAP, and veterans’ benefits

WTF:  No.  Most of SNAP should go.  Most of Medicaid (not all) should go.  Social Security should be phased out with the kids below 30 so that they don’t have an excuse to complain when the whole thing falls over.  Also, eliminate Social Security on half of Americans based on birth year.  Heads, eliminate odd years.  Tails, eliminate even years.  Just for giggles and it would be fun to watch the chaos.

Moses was also the first person to use CTRL-C as a shortcut.

PTSD:  Demanding the removal of caps on Social Security

WTF:  Do the checks really come with hats?

PTSD:  Demanding NO MORE tax breaks for the rich — TAX THEM ALL!

WTF:  Yes!  Tax everyone!  Tax everyone at the exact same rate for ALL income at 20%.  Then everyone has skin in the game.  And, make sure that people are taxed with on an Alternative Minimum Income:  The minimum people are taxed is based on the federal minimum wage and if you can’t pay we deport you to Australia, for old times’ sake.

PTSD:  Demanding an end to unlimited corporate profits and economic injustice

WTF:  I demand an end to economic progress and creation of worldwide famine.  See?  I said exactly the same thing, but with way fewer words.

PTSD:  Demanding an end to lobbyist and SUPER PAC funding

WTF:  Nice try, since you own the media.  No.  My counter?  I demand that CNN® be forced to feature nothing but things I’ve written.  I mean, I guess I could stand for less exposure than I have now, but it’s a different audience – the CNN® crowd can’t read.

PTSD:  Demanding the elimination of Citizens United

WTF:  Man, panties are sure in a wad that they can’t stack the game, aren’t they?

PTSD:  Demanding an increase in the federal minimum wage to $20 an hour, with adjustments for inflation as needed

WTF:  Make it $100 an hour.  No, $1,000 an hour.  No, $10,000 an hour.  See, you can joke, and I can, too.  And there won’t be inflation, because only gold and silver will be money.

What’s the hardest part of making a vegan pizza?  Catching the vegan.

PTSD:  Demanding a cap on CEO pay at no more than 35% above the lowest worker’s salary

WTF:  Welcome to not understanding what a contract worker is or what nested corporations are.  Do they give you guys Crayons™ and a placemat to color on your Discord©?

PTSD:  Demanding that wages for elected officials be capped at the median salary of their district

WTF:  Sold.  And no investments, either – they can only keep cash and they must rent, and this includes wages and investments for their extended family.  AOC goes back to being a barista because it pays more.

PTSD:  Demanding caps on rent, grocery, and insurance costs

WTF:  Agreed.  I demand unicorns as well, because they’d be good company as I lived on the street with no food or insurance.

PTSD:  Demanding universal healthcare for all U.S. citizens and federal protection for sick time

WTF:  I demand zero insurance for anyone and federal prosecution for anyone who starts an insurance company.  I demand that anyone who takes a sick day from work without being near death be flogged if they don’t get away with it.  Just kidding, like anyone will have a job if the PTSD proposals are enacted.

That dog looks like a brrrrito.

PTSD:  Demanding term limits for all members of Congress and the U.S. Supreme Court

WTF:  Yes to Congress and no to SCOTUS.  I would like treason charges for judges that violate the Constitution, and judges to be put in prison if someone they let out without bail injures anyone.  And the robes should be form-fitting.  For . . . reasons.

PTSD:  Demanding reform of immigration policies

WTF:  Agreed!  Send them all home.  All of them.  Now.

PTSD:  Demanding gun law reform — PROTECT OUR KIDS!

WTF:  Agreed!  Mail order machine guns and crew-served weapons, which are much more suited for children because they can work together to get that Ma Deuce warmed up.  Besides, the hands of children are small and they generally have good eyesight, so field stripping an M60 should be a breeze.

PTSD:  Demanding codified women’s rights to choose

WTF:  You mean paper or plastic?  It’s a stretch because I don’t trust the collective choices of women, but I’ll allow it.

PTSD:  Demanding codified DEI and affirmative action

WTF:  You mean penalties for having DEI and affirmative action?  I’m in favor of that, and maybe you can talk me into making it a felony.

PTSD:  Demanding the elimination of the Electoral College and a ban on gerrymandering

WTF:  No.

PTSD:  Demanding ranked-choice voting in all federal and state elections

WTF:  No.  Counter-demand:  no voting until the family has been in the country for three generations, and one vote per family (mother/father, married).  Otherwise, votes for military-aged males only.

PTSD:  Demanding the taxation of mega-churches

WTF:  And the taxation of micro-churches.  And commie non-profits.  And NPR® – those tote bags cause cancer.

My friend Gomez has a dismembered hand.  I guess it’s okay, but it’s not my Thing.

PTSD:  Demanding free post-secondary education

WTF:  Only for students with an ACT of above 30 majoring in engineering, physics, or math who maintain a 3.5 GPA.  And not fake engineering like “engineering tech” or fake astrophysics like “astronomy”.  Real engineering.  Real physics.

Okay, that about does it.  Since I’ve solved all of those problems, I guess I’ll go back to work.

Take a sick day?  I ain’t got time to bleed.

One Page At A Time

“Then I shall die as one of them!” – LOTR, The Two Towers

I never trust what a minotaur says.  Half of it is always bull.

It’s cold outside.  I can see that in how crisp and clear the air is.  The big picture window in the cabin up on Wilder Mountain lets my young eyes see a mile, looking for the headlights on a dim winter morning.

The bus rounds the corner, and I head off.  Burt, the driver, is rarely off on time by more than a minute or two.  I’m the farthest kid out, and he starts rounding up the school kids with me.

“Hi Burt!”

“Morning, John.”

Since I’m in middle school, and I’m the first on, I tromp my winter boots all way to the back of the bus.  That’s where the cool kids sit.  I remember the first day I decided to sit back here.  Since I was the first on, there was no one to stop me, so I decided to break the norm of the past few years and just sit there.

I was in sixth grade, and the high school freshman started to object when he got on.  He didn’t finish the sentence.  If he would have asked me to move, my answer would have been short.

“Make me.”

I didn’t have to.  Even in sixth grade, I was bigger than him.

But I lived so far out that most of the time, I had the entire back of the bus to myself.

So instead of a long, boring bus ride, I decided I’d do something else.  Like take a trip to Mordor.  Or fight bugs with Johnny Rico.  Or figure the best way to ambush a troop of Sardaukar.  Or take a trip to Boulder after Captain Trips paid a visit.

One group of web developers likes finding bugs in their work:  spiders.

The bus isn’t a ride, it’s a journey through the past that never was and the future that never will be.  It was, metaphorically, my campfire, and these books were the ways that storytellers of my people could share the legends that shape humanity.

In part, these are the legends that shape me, just like our ancestors learned valor and cowardice from tales told under starlit skies in long-ago Sparta and Denmark and Scotland and Rome.

Stories aren’t just entertainment.  They are the code that programmed humanity and fueled the creation of Western Civilization.  Warriors heard of Achilles’ courage and the hubris of Icarus, learning to strive for glory and wear a parachute if they were going to fly too close to the Sun.

Is a monk with wings an air friar?

Kids grew up on fables of clever foxes and lazy hares, etching lessons of wit and work into their bones.  These weren’t bedtime stories:  they were survival guides and cultural norms, showcasing the best of what we could be and the worst that we should avoid at all costs.  Both lessons are useful.

My bus ride was no different.  Tolkien’s Christian valor, never naming Christ but screaming His Truths three different ways through Frodo, Aragorn, and Gandalf lit a fire in me. Heinlein’s musings on duty versus freedom made me question what I owed my community, and what it owed me.  Those pages were my elders, whispering truths no teacher could match, even though they were sometimes quite contradictory.

Stories aren’t just ink on paper, they’re the software that nourishes our souls.  Throughout history, they’ve been the mirror showing us who we are, who we could be, who we should avoid being, and what the journeys of the hero really meant.

The Greeks had Odysseus, outsmarting cyclopes to get home to his family valor in action, and the aforementioned Icarus, flying too high and crashing, a warning against arrogance.  Norse kids heard of Thor’s hammer, inspiring strength, but also Loki’s betrayal, a caution against deceit.  But you should ignore that, because I’ve heard from the news media that there is no white culture.

I would never download a copy of Homer’s Iliad.  I hear it’s full of Trojans.

These archetypes stuck because they’re shades of the universal Truth:  every boy wants to grow up to be the man who is a hero, not the coward who folds.  My bus ride library was no campfire, but it did the same job.  Tolkien taught me sacrifice, Frodo carrying the One Ring, knowing it’d break him, but doing it anyway.  Heinlein’s Starship Troopers hit me with duty: you don’t get a vote unless you’re willing to bleed for it because sooner or later someone will.

Harsh? Sure. But it made me think, heroes sometimes falter, freedom isn’t free, and communities aren’t built by loners.

Even Dune’s Paul Atreides, wrestling with destiny and betrayal, showed me the weight of leadership.  These weren’t just stories; they were blueprints for being a man, not a drone.

The GloboLeft hates this. They want stories that flatten everything into DEI dogma. No heroes, no villains, just victims and oppressors, any woman being equal in combat to the strongest man.

They’d rewrite Tolkien so Frodo’s a non-binary climate activist, and Heinlein’s troopers would be whining about microaggressions and wanting to use Zoom™ instead of a dropship.  You can see it in the box office:  their stories don’t inspire; they control exist as humiliation exercises.  Look at modern Hollywood:  every film is a lecture, not a legend.  No wonder kids scroll InstaChat® instead of reading.  They’re starved for tales that stir the soul, not the HR manual and they haven’t even been given the words to tell us this – the video game is as close as they come to the myths that make a culture.

Does Beowulf get two thumbs up?  Not from Grendel.

Stories work because they show us the extremes, the valor to chase, the cowardice to shun. Take Beowulf:  he faced Grendel head-on, no excuses.  I read that one in high school, and loved it.  I thought, “This is amazing.  Our ancestors were heavy metal badasses two thousand years before electric guitars were a thing.”

Beowulf is the guy you want to be, not the prol cowering in the mead hall.

My bus ride heroes were no different.  Tolkien’s Aragorn didn’t negotiate with orcs.  He killed them.

Heinlein’s Johnnie Rico in Starship Troopers learned civic duty the hard way, bugs don’t care about your feelings, and when they kill your mother, well, they’ve sent a message that you simply must respond to.

Stand up, protect your own, don’t bend.

I guess they use Mordor oil.

From what I’ve seen, GenZ didn’t take too many bus rides with Tolkien, they’ve got TikGram™.  Schools push “diversity” over duty, “equity” over excellence.  The campfire’s gone, replaced by screens spewing shadows, not legends.

To be clear, the GloboLeft wants it that way.  But stories still matter, and, I think, you can see Gen Z starting to rise, especially among the boys.  And that’s important:  they’re how we pass on the code.

Tell the kids stories.  Real stories, not Modern Disney©.  Make them read 1984, and Tolkien.  And Beowulf.

Every tale’s a seed, planting valor and weeding out cowardice, because at some point every man needs to be able to say the two most important words a man can say:

“Make me.”

It Came From . . . Patriotism

“Freedom!” – Braveheart

“The most difficult thing about being humble is not being able to brag about it.” – George S. Patton

Housekeeping:  We should be a go on podcast tomorrow night, though I’m on the fence on a Friday post, as I just might take the day off.

I’ll change things up a bit due to Fourth of July (or as it’s known in the metric world “Friday”), and have a slightly different take on films this month – patriotic films.  In this, I don’t necessarily confine the patriots in question to entirely American patriots – I do allow some room for a couple of films that show patriotism from other cultures.  These are in something of an order, but don’t put too much on that.  Let’s just say the easiest to include on the list are first, and the ones that just barely made it are at the bottom.

I will say, I liked the way the A.I. posters turned out this time.

So, here are my top 10 patriotic movies:

No man could salute like Patton.  At least, no human man.

Patton

George S. Patton knew he was going to be a general in the United States Army from when he was a child.  He lived that life to become the enigma that George C. Scott portrayed perfectly on screen.  Patton wanted glory, but also was personally filled with bravery and admired the men who displayed it.  Patton was for an America ruled by Americans, and was willing to lead hundreds of thousands of men to capture 82,000 square miles (6.3 megaliters) of Europe and capturing nearly a million enemy soldiers.

No matter how he tried to retire, they kept dragging him back in.

The Patriot

How could I skip this movie?  Well, I couldn’t.  The United States wasn’t given to Americans, it was willed into existence by men such as the one played by St. Mel of Gibson in this film.  Interestingly (to me at least), the main character is pulled into military service not because of his zeal to kick the British out of the colonies.  Nope.  His motivation is personal – his son being killed by a British officer untouchable by justice.

If he had been born in 1970, he’d have been William Wallace, Guardian of Scotland and Walmart® greeter.

Braveheart

I warned you that not all films would show strictly American patriotism, and this one chronicles the life of William Wallace, the Scottish rebel who fought against England to attempt to free Scotland.  He failed to free Scotland, but it wasn’t long afterwards that Robert the Bruce did lead my ancestors against my other ancestors to win freedom.  Braveheart clocks in at somewhere close to three hours, but doesn’t seem that long.  A good film, and St. Mel again chews up the scenery.

Is that a French submarine surrendering?

Master and Commander:  The Far Side of the World

One of my favorite movies.  A captain, very well played by Russell Crowe takes his ship on a journey to fight the French, who only surrendered once in this film.  This line, about Lord Nelson tells the tale:  “The second time… The second time he told me a story… about how someone offered him a boat cloak on a cold night. And he said no, he didn’t need it. That he was quite warm. His zeal for his king and country kept him warm.  I know it sounds absurb, and were it from another man, you’d cry out “Oh, what pitiful stuff” and dismiss it as mere enthusiasm. But with Nelson… you felt your heart glow.”

The Soviets weren’t expecting what they got when they parachuted into Henson, Colorado. 

Red Dawn

1984 was Reagan’s year.  He had made it clear that the United States would stand toe-to-toe with the Soviet Union, and would win.  At that point, the country was together much more so than now, and you can see it in the vote total Ronnie got for re-election.  A movie like Red Dawn was a slam dunk – plucky American teenagers being insurgent guerillas against an invading multicultural force of commies.  Huh – that was back when we could sense danger, I guess.

Well, I guess we know what they serve there now.

300

Submit?  To you?  Here?  In Sparta?  No.  Because . . . This.  Is.  Sparta.  Leonidas fought against all odds to contain the Persian horde from entering Greece because that’s patriotism.  Did he die?  Yes.  Gloriously.  So gloriously that he’ll be remembered in 10,000 years.  I think that’s how long the A.I.’s memory cache will last.

I can hear Kenny Loggins now, singing about Maverick after he lost his pilot’s license, “I waited in the loading zone . . . “

Top Gun:  Maverick

I found this a much better film than the original.  I always thought the original was boy meets girl, but with fighter jets.  Here?  It’s all about the mission.  And Tom Cruise flying that F-14 Tomcat one last time before Social Security kicks in.

“Houston, we seem to have two more problems.”

Apollo 13

Not all patriotic films have to do with war, and Apollo 13 is a good example.  The movie is about Americans fighting to win the Space Race and get to the Moon.  Oh, we did that already?  NASA has made it boring?  Well, let’s see how they do if their ship explodes while they’re the farthest away from Earth that anyone besides a few other Americans have been.  Excellently plotted, filmed, and told by an ensemble cast of great actors led by Tom Hanks, it’s a movie I can just start watching from any point and enjoy.

Wonder how this would have gone if all the characters were played by Tom Cruise, like some old Peter Sellers movie?

Saving Private Ryan Cruise

This one was the last on my list.  I’m not sure why.  It does feature the everyman (Hanks) who sacrificed everything because that’s what the orders said to do.  It features the shared burden of that sacrifice on those who survive.  It’s stunningly filmed, and, though the story drags a bit in the middle, is tense.  I think that the reason that it’s here is that it’s the film I’d simply be least likely to re-watch of all of these.  YMMV.

If this was a top 10 list – it is one shy.  I left room for one I missed or didn’t think about.

What did I miss?    Other notable films that nearly made the list include:  Midway, We Were Soldiers, The Green Berets, Gettysburg, and Gods and Generals. Gettysburg honestly had the best chance, but I would have had to watch it again, and the movie lasts about 74 hours, or two hours longer than the battle itself.  I kid.  It’s 271 minutes, or 27.1 metric hours.

Greedflation And Burgers And Girls Drinking Beer

“And in Paris, you can buy a beer at McDonald’s®.” – Pulp Fiction

Interesting fact:  women in Arabic cities like Paris don’t need car insurance.  They’re already covered.

Greedflation.

It’s an ugly word for several reasons.  The first reason it’s ugly is because I generally support the free market as the best tool for setting prices.  You see that at gasoline stations regularly – no station that charges a quarter more for a gallon of gasoline will be able to sell much gasoline.  The price for a commodity like gasoline, in a relatively free market, sets itself.

That’s nice, because the very price mechanism that sets the price also allows the gasoline to flow to the consumers that value it the most, which according to my research are groups of post-nuclear war barbarians who hang out in Australia.

I hear they’re filming the sequel on location in Los Angeles.

Some people don’t get this.  I recall having extended conversations when I was in my twenties with an elderly gentleman about gasoline prices.  He was upset because after some price shock, the gasoline prices all jumped $0.50 the next day.

“They didn’t pay that much for the gasoline!”

Well, no, they didn’t.  But because the supply was thought to be limited, the gasoline was worth more.  Besides, the merchant was going to have to refill that storage tank at a higher price, and nobody was going to buy his high-priced gas if he charged more than the market when the price invariably went down.

“Besides,” I asked, “If you had an ounce of gold that you bought for $50, would you sell it for that, or would you want the (then) current price of $500 an ounce?”

Of course he said he’d want the $500.  But he still couldn’t understand why gas prices went up.

And I only got to take him on one walk.

I wanted to establish that, because I’m going to tear into the larger corporations for lying about prices.  That’s greedflation.

An example of this would be McDonald’s®.  I’ll pick on them because, like illegal aliens, they’re everywhere and more numerous than they should be at this stage in the economy.  McDonald’s™ built its reputation on food that was fast, tasty, and inexpensive – a place a dad could take the kids for a quick treat on the way back from the zoo on a Saturday afternoon.

At least in Modern Mayberry, McDonald’s© has ceased to be fast, and inexpensive.  McDonald’s® prices are so high that a “meal deal” costs the better part of the price of a pound of ribeye.  To me, that’s not a deal, or at least not a good one.

The stripper said she was stripping in order to feed her kids, so why did she get mad when I tipped her in Cinnamon Toast Crunch™ coupons?

And these prices have pushed people away – McDonald’s™ insinuated that these price hikes were due mainly to inflation and blamed the franchise owners for the ultimate pricing.

The result?

McDonald’s® ended up with declining burger sales, but with record profits.  In fact, between 2014 and 2024, their prices doubled.  Most of the increase was before the pandemic and inflation.  Everyone’s doing it, right?  No, mainly McDonald’s® was McLovin’™ it.

The average increase in prices for other fast-food restaurants during that same time period was more in the 55%-ish percent, and more or less in a straight line.  They were raising their prices much faster than inflation, but McDonald’s™ was leading the pack.

The result:  A lot of “inflation” is just corporations adjusting prices to the point of maximizing their profits.  Sell fewer burgers and yet make more money?

Why not!  Especially if we can insinuate that it’s really all beyond our control.  Perfect!

I actually don’t mind that they’re increasing prices to increase profits.  I get that.  I mean, if they could sell just one burger and make sixteen billion dollars in profit, they’d be all in.  Oh, wait, Lockheed-Martin™ is already doing that with jet fighters.

Don’t worry if the F-35 gets rained on.  That only costs about $50 million to fix.

What I mind is the insinuation this is due to outside forces instead of a planned extraction of the greatest amount of profit that can be generated per sale.  It’s a lie.

One of the components of the monthly “Misery Index” that I put together is tied to inflation.  Inflation destroys the value of currency, and makes people feel, day by day, shabbier and poorer.  However, to blame outside forces for your increased prices instead of saying, “Hey, we think this burger is worth it,” is execrable.

The Wilder household has responded by purchasing prepared foods outside of the house only rarely.  Once a week – at most.  Instead, we’re cooking at home.  It’s likely healthier, and I can get exactly the right amount of chocolate sauce on my bacon cheeseburger.

I think many Americans have reacted the same way.  And for us, it’s made us less miserable, rather than more miserable, plus the food is better.

The problem, though, is that when big business reaches a size that it can extract all the wealth it wants on a whim and keep posting record profits year after year.  That’s not competition, that’s a Wealth Pump as defined by Peter Turchin, and it is a prime factor in the creation of misery and the road to Civil War.

The initial example that I gave of gas stations all competing to get my dollar is the way the markets work best.  There are a number of different sellers all trying to get me to come to their station, though they haven’t figured out that if they had hot girls in bikinis they could probably double their business.

And they don’t look like they speak Arabic.

And no, McDonald’s™ rarely forces people to eat there, so there still is competition from substitutes, like a ribeye.  I have the choice of whether or not to go to McDonald’s™.  Please, Golden Arches, raise your prices to your heart’s content!

Just don’t lie about it, and just don’t expect consumers to hang around, though it seems to be working for you right now.  And McDonald’s™ innovates, since I heard that they had a failed beef version of their McRib©.

Who says they don’t learn from their McSteaks®?

The Funniest Post You’ll Read About Stress Today

“I honestly think you ought to sit down calmly, take a stress pill, and think things over.” – 2001:  A Space Odyssey

Did anyone else but me notice that they issued red shirts to the crew of the USS Nimitz before they shipped off to the Persian Gulf?

I’ve noticed recently that everyone I come into contact with, even retired folks, is in a state of stress.  They act like they’re just one more event away from exploding like a blue-haired GloboLeftist who can’t get gender affirmation care for the unborn baby that she’s getting ready to abort and don’t get her started about Cheeto® Hitler.

Even your correspondent, me, has occasionally had a foggy head and the vague sense I’m exactly one email away from my brain displaying 404.

In 2025, stress isn’t just a feeling—it’s a weapon.  Between 24/7 news cycles on CNN® screaming doom to sell you toothpaste (even though we know that nothing ever happens), social media algorithms feeding outrage to increase the amount of time spent on their “platforms”, and a world that expects everyone to hustle like a gerbil on meth, stress seems like it’s planned.  It might be.

I left my ADHD prescription in my Ford Fiesta™.  The next morning I had a Ford Focus®.

The system loves stressed-out people.  Big Pharma® has got a pill for every flavor of freakout—anxiety, insomnia, and that “I’m just not myself” vibe.  They make bank on misery, raking in billions with no real incentive to solve the actual underlying issue:  A clear-headed patient isn’t good for business.  I’m not saying it’s a conspiracy—just a system that profits when we’re down.

Don’t get me wrong:  meds have their place for some folks, but slapping a prescription on stress is like putting a Band-Aid™ on a Kennedy.  Stress is a bully, and I’ve never beaten a bully by giving in.  Sometimes I need an overly elaborate scheme involving marbles and a parade float.

Why Stress Wins (and Why It Doesn’t Have To)

Stress isn’t just a bad day—it’s a parasite that eats what modern chaos does to people.  It’s the ding of a work email at midnight, the headline about the next apocalypse, or the coworker who passive-aggressively “just needs one more thing.”  Stress multiplies the events, making a minor blip in a day into spittle-inducing ragebait.

But I guess she was plagiarizing herself.  Same spit, different day.

But there good news:  stress only wins if I let it.  I can’t erase it—life’s messy, but I get to choose how to fight. These following strategies are my weapons.  They’re simple, mostly free, and don’t come with a side effect of “may cause existential dread” like the relationship I had with my ex-wife.

  1. Get Outside: Touch Grass

Getting time where I am physically away from anything but reality is nice.  I can go to my backyard, nearby Mirkwood Forest, or even just sitting in my hot tub with a stogie staring at the night sky.  Something about trees, fresh air, and dirt reorients us.  We have spent most of history outside, and I think that is why camping is popular – it’s simplification of life and removal from the everyday experience.

Action: Go out and hit the hot tub with a Macanudo®.  Or, walk outside for 20 minutes daily, no phone. Bonus points if I spot a meteor or a squirrel riding a rottweiler.

Do yourself a favor and don’t do a Google™ search on that.

  1. Meditation and Prayer

Meditation and prayer sounds like it’s for hippies in hemp pants and hemp shirts using hemp toilet paper and smoking hemp (they’d pray to a bong if it had Wi-Fi), but, for me, it’s just calming down and tuning out the buzz of thoughts that I’ve got going in the background.  Often as I’m going to sleep, I relax, focus on my breath, and pray – often the Lord’s Prayer.  Or I count backwards from 500.

Results?  Five minutes of quiet breathing before bed, and I felt like I’d hacked my own head. No candles, no chanting, no sweaty Asian country with cheap heroin.  Nope.  Just me telling my worries to shut up.

Action:  Five minutes of focused breathing tonight.  Unless I fall asleep first.

  1. Laugh It Off

Laughter is universal in its ability to erase stress. For me, writing this blog and prepping these memes and jokes often makes me laugh out loud.  It’s fun.

Action:  Find something funny.  Laugh.  Daily.  Many people think watching an actress pretending to be an old lady falling down is funny.  My weakness is that because I spend so much time on humor is that for me to find it funny it has to be a real old lady falling.

I always say that it’s not how many times you fall, it’s how many times you get back up, but the cop said, “That’s not the way field sobriety tests work.”

  1. Move Your Body

Stress loves inactivity.  Doing anything physical is a good start.  Lifting weights.  Cleaning the living room.  Hitting the elliptical trainer.  If it gets my blood moving faster than just sitting there on the couch, it works.  No gym membership needed.

Action: Do 15 minutes of anything.  Make it fun, not a chore.

  1. Write It Down

Why do I write?  Well, for one reason is to eliminate stress.  I rarely ever feel stress when I write.  It’s an activity that, for me, gets my mind focused and flowing so that I can put the right words down on paper the screen.  YMMV, but if you try, remember:  nobody’s grading your grammar.  Burn the page if you want; it’s your call.

Action: Write for five minutes.  About whatever.

What’s Hillary’s favorite question?  “How much to just make this go away?”

That’s it.  That’s what I do.  Most people think I’m fairly chill, and find it odd that I don’t panic about things.  Frankly, for me there aren’t that many things that do cause me to panic because I buy cigars in bulk and generally have a six-month supply on hand.

I mean, what else is there to stress out about?  It’s not like I have blue hair.