“Ray, when someone asks you if you’re a god, you say “Yes!” – Ghostbusters

Actors test their skills to the limit when they act happy when someone else wins an Oscar® instead of them.
The first time I tried “who should have won” as a topic, I don’t think I spent enough time on the topics, and it became a list. I think this is a bit better: for the first half of the 1980s, what movie won the Best Picture© Academy Award™, and what movie should have won.
Your mileage may vary.
Best Film 1980
Actual Winner: Ordinary People.
I went to this movie in the theater. I don’t recall why, but I was probably dragged there by someone older. I do recall hating, with great intensity, every second of the film, which centered around weak people who couldn’t deal with whatever crap they were going through. As I was just a kid without a driver’s license, I was stuck there. The best thing about watching this movie was the box of Raisenettes® and leaving the theater. In retrospect, the best thing about this movie is that most of the people involved in the production are dead.

Should Have Won: The Empire Strikes Back.
This movie based around the heartwarming story of a father being reunited with his long-lost son is a classic. Note also, the father has to face the tragedy of his long-lost daughter getting mixed up with a criminal and a lot of cocaine before. Spoiler, the criminal gets put on ice by her father, but they are reunited in the end.
Best Film 1981
Actual Winner: Chariots of Fire.
I have no idea what the Academy® had about people talking in rooms, but 1981 was yet another movie about people talking in rooms. But the people are old or dead and talk in a British accent, so that makes it classy. I guess. I learned quite a bit from this movie, specifically that I would rather have my eyes gouged out with dull spoons than to watch another movie about track athletes. I watched this movie on a school trip, and all the cool kids went to see Porkuy’s instead, but I stuck around because there was this girl . . . spoiler – she was not worth the seventeen hours that this movie lasted.

Should Have Won: Gallipoli.
If you’re going to have a historical movie about runners, they should be cool and badass. These runners were cool and badass, and also were classy because they were dead and spoke with an Aussie accent and there was a senseless war going on. Bonus points: St. Mel of Gibson stars.
Best Film 1982
Actual Winner: Gandhi.
Biopic of the most famous Indian scammer, who ended up scamming hundreds of millions of Indians that they would be better off kicking the British out resulting in the death of millions to tens of millions of Indians.

Should Have Won: The Thing.
This movie about a castaway trying to make his way through a difficult and challenging world that was completely new to him is engaging. Seriously, this is one of the best horror movies of all time. I saw this in the theater about a month after reading Who Goes There, the story by Based SF author John W. Campbell, Jr., and was not disappointed. Every single frame was perfect, and the ending is seemingly ambiguous. Critics hated this film and it was a box office bomb. Time, however has proven them wrong, wrong, wrong. Bonus: passes the Inverse Bechdel Test because there are no women in the movie, thus making it better.
Best Film 1983
Actual Winner: Terms of Endearment.
I rarely cuss, but, damn. Another stupid movie featuring people with problems talking in rooms. I’m sure this passes the Bechdel Test which may be why I hate this movie with the burning passion of a thousand suns. Additionally, dragging this piece of crap down is Shirley MacLaine, who made exactly one good movie in her life, Two Mules for Sister Sara.

Should Have Won: A Christmas Story.
This movie shows America as it was and is a tale of innocence and honesty. One of the best movies to have ever been made.
Best Film 1984
Actual Winner: Amadeus.
I’d like to say this is the best movie ever that was inadvertently funded by Creedence Clearwater Revival (you can look it up) but I’d have to forget about the Lord of the Rings movies. It was pretty good, but not good enough that I’d pay money to watch it again.

Should Have Won: Ghostbusters.
Or maybe Red Dawn, which was a close second. I settled on Ghostbusters because it is a perfect movie. There are no missed beats. Is there drama? Yes, enough to keep the plot going, but not so much to get in the way of the humor. Murray, Aykroyd, and Ramis are perfect together. The special effects were good enough, and it was a huge hit. How big? It was in the top three grossing films at the box office for sixteen weeks. Ghostbusters had legs. It was also a powerful satire of government power causing problems because it is stupid and a hiding place for petty people.
There you have it. And, this proves the point: the Academy™ always gets it wrong.
I think this works better than the clunky thing I put out two months ago, but that was about the 1970s, which was an awful decade for movies. In January, I’ll tackle 1985-1989.
What did I miss?




















































































































































